Artist : Lower Class Brats
Album : Rather Be Hated Than Ignored
Bitrate : VBR 179 Average KB/s (High Quality 44.1 Joint Stereo)
Source : CD (LP)
Label : GMM Records
Year : 1998
Genre : Punk
Ripper : NHH
Rip Date : 2010-02-28
Store Date : 1998-11-03
Rip Tool : EAC 0.99 prebeta 5 (Secure Mode)
Encoder : Lame 3.97 -V2 vbr-new
Size : 47.48 megs
Catalog # : 137
Supplier : NHH
NFO : YES [X] NO [ ]
SFV : YES [X] NO [ ]
M3U : YES [X] NO [ ]
JPG : YES [X] NO [ ]
URL: http://allmusic.com/cg/amg.dll?p=amg&sql=11:gcfyxq9jldde~T1

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Total Tracks : 12
1) Ultra Violence 2:11
2) Background Music 3:13
3) Do It Again 1:59
4) Orphans Dont Run 2:34
5) Theres A Difference 3:41
6) Start the Night 3:06
7) Addicted to Oi! 3:00
8) Safety Pinned & Sick 3:54
9) The Process 2:55
10) Who Writes Your Rules 2:45
11) Bite the Bullet 2:57
12) Clockwork Fuse 4:22
-
36:37


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There are two ruling obsessions in the world of Bones DeLarge: A
Clockwork Orange (the Stanley Kubrick film more than the Anthony Burgess
novel, though he often incorporates Burgess made-up slang into his
lyrics) and the second wave of British punk music, bands like Sham 69
that codified the glam-garage-reggae mash of the Sex Pistols and the
Clash into a harder-edged albeit considerably less wide-ranging sound.
Since 1995, DeLarge has been the sole constant of the Lower Class
Brats, an Austin, TX-based gang of street punks who take their look from
the former and their sound from the latter. After a long series of
singles, EPs, and compilation tracks that were eventually gathered in
2003 on the anthology Real Punk Is an Endangered Species: The Clockwork
Singles Collection, the Lower Class Brats made their full-length debut
with 1998s Rather Be Hated Than Ignored. 2000s The Plot Sickens and
2003s A Class of Our Own followed on the Punkcore label. Three years
after A Class of Our Own, Bones DeLarge returned with a new lineup of
guitarist Marty Volume, bassist Evo, and drummer Clay, signed with the
long-running punk indie TKO Records, and released The New Seditionaries,
an album that copped its title from the punk fashion store owned by
Malcolm McLaren and Vivienne Westwood, its graphics from Jamie Reid, and
its sound from Dave Goodmans early Sex Pistols demos.

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