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Release Info


Originally released : 10-06-2009
Release date : 01-01-2010
Album name : The Root Of All Evil
Artist : Arch Enemy

Ripped by : Fisteh`
Genre : Metal
Label : Century Media Records

Encoding Software : Lame EOS
Quality : -V 2

Tracks : 16
Size of Files : 118,7 MB

Track list


01 01:07 The Root Of All Evil (Intro)
02 03:46 Beast Of Man
03 03:48 The Immortal
04 03:48 Diva Satanica
05 05:24 Demonic Science
06 04:25 Bury Me An Angel
07 04:25 Dead Inside
08 03:26 Dark Insanity
09 04:52 Pilgrim
10 01:40 Demoniality (Instrumental)
11 03:33 Transmigration Macabre
12 04:23 Silverwing
13 07:54 Bridge Of Destiny
14 04:21 Bury Me An Angel (Live)
15 04:34 The Immortal (Live)
16 07:36 Bridge Of Destiny (Live)


Total time: 69:02 min
Release notes

Angela Gossow has been the best thing to ever happen to
Arch Enemy. The Swedish melodic death act has improved
steadily since bringing their German frontwoman on
board with 2001s Wages of Sin, and now theyre a
genuinely great metal band. Gossow is a charismatic
vocalist with a much wider range of emotion even
within the raw-throated genre of death metal than her
predecessor, Johan Liiva, and the bands songwriting
skills have grown steadily over the years. So why
revisit the early years? This album features re-
recordings of songs from the Liiva years (four from
Black Earth, three from Stigmata, and five from Burning
Bridges, with Gossow on vocals). And while the
performances are impressive, the songwriting is clearly
much more crude and dependent on prevailing winds
within Swedish death metal at the time than then-recent
AE discs like Doomsday Machine and Rise of the Tyrant.
Furthermore, if you want to hear Angela Gossow singing
these songs, versions of five of them (The Immortal,
Bury Me an Angel, Dark Insanity, Silverwing, and
Bridge of Destiny) appear on one or the other of the
bands live DVDs. So while the performances are solid
the Amott brothers always impressive guitar playing in
particular this is ultimately an inessential release
that may wind up confusing fans who wonder about these
heavier, almost overly complex songs that frequently
lack the fist-in-the-air, singalong choruses of more
recent work.

allmusic.com

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